A Wonderful Wednesday with Megan Kelley Hall

Megan Kelley Hall is the debut author of Sisters in Misery, a successful freelance writer and a founding partner in Kelley & Hall Book Publicity and Promotion. She studied creative writing at Skidmore College under Steven Millhauser. Megan lives in Salem, Massachusetts (near the setting of her novel!)

INN: Sisters of Misery is set in Hawthorne, Massachusetts, a place wherewitch-hunting was almost as common (and scary!) as it was in Salem. Why did you choose to set your novel there?

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MKH: I live right next to Salem, Massachusetts and I’ve always wanted to write something that captured the essence of the gothic undertones of growing up in a place that had such a dark history. Plus, I wanted to show how people really haven’t changed all that much—that persecution and ostracism are still alive and well in today’s society. Plus, what better place to set a modern-day version of the Salem witch hunts than a fictional town right next to Salem, Mass?
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INN: Your book has been called "stunning," "amazing," "unforgettable" and "superb" by readers and reviewers alike. What's it like to read reviews of your own work?
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MKH: Completely surreal. Before your book gets published, you have no idea whether or not people will like it or connect with the characters or enjoy the story. The feedback that I’ve gotten from readers has been amazing and has gotten me through some tough days. I don’t think that readers realize the impact they have on writers. Their opinion means more than any review or magazine mention, at least in my opinion.

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I love hearing directly from readers (and I always try to respond) because that is why I started writing in the first place: to connect with others. What makes me happiest about writing is entertaining people with my stories and giving them a little escape from their own lives. That’s what reading has always been for me. An escape.
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INN: How did you break into publication?
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MKH: Hmm… Let’s see, the book started off as an adult fiction. Then I had a preemie (2.5 pounds at birth) who stayed at Mass General for 60 days (I was there 8 hours a day for sixty days with her). Then a few years later, I had series of mini-strokes, lost partial vision in one eye, had a carotid stent, discovered that my carotid arteries were aged from radiation therapy I received when I had childhood cancer and had to undergo open heart surgery and a sternotomy. It was a nine hour procedure where they basically flatlined me for 96 minutes.

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It was during my recovery period that I dusted off my manuscript, turned it into a YA, got and agent and sold it in a two book deal all within the same year. So….just a typical first book story, I guess. But seriously, I’ve been freelance writing for years for major mags like Glamour, Elle, Boston Magazine, etc. I’ve had a lot of jobs—advertising, radio, public relations, event planning. And I’ve found a way to incorporate writing into all of them. I am also a founding partner in Kelley & Hall Book Publicity, an independent literary publicity company (http://www.kelleyandhall.com/) that I started with my mother and sister a few years ago.

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While I was at Skidmore College, I studied under Steven Millhauser for a few semesters in his fiction and creative writing courses. This was before he won the Pulitzer Prize for Martin Dressler. He was pretty inspiring and very supportive, but I didn’t realize at the time that I was studying under such an incredible writer. Writing has always been a huge part of my life. I like having control in a world that at times feels completely out of control. I enjoy creating characters and places and relationships. Writing has always been a form of therapy for me as well. When I was recovering from my recent open-heart surgery, the only way that I got through those difficult and painful months was to work on my novel and to write on my blog (as well as in my personal journals). Writing has gotten me through many difficult times in my life.

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INN: If Alfred Hitchcock made a movie out of *Sisters of Misery,* who would play Kate, Maddie and Cordelia (either contemporary or old Hollywood
actresses)?

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MKH: My dream cast (although they are too old to play teens now), would have been Jennifer Connelly as Maddie, Gwyneth Paltrow as Kate, and Angelina Jolie as Cordelia. And for the boys, I’d pick Josh Holloway as Reed and Johnny Depp as Finn. Again, they are about twenty years too old to play those parts.But if I were to cast it using age-appropriate actresses/actors, here’s my picks:

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Cordelia: Blake Lively (though she’d have to dye her hair red)

Maddie: Rachel Bilson or Kristen Stewart (even though she’s already Bella in Twilight)

Kate Endicott: Katie Cassidy (Supernatural) or Kate Bosworth

Finn: Jared Padalecki (Supernatural)

Trevor: Chace Crawford (Gossip Girls)

Reed: Henry Cavill (The Tudors)

Rebecca: Julianne Moore

Abigail: Laura Linney or Sandra Bullock

Tess: Shirley MacLaine
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INN: Who's your favorite Gothic author?

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MKH: I’m inspired by “gothic” writers like Edgar Allan Poe, Shirley Jackson, and William Faulkner. Today’s gothic writers that provide inspiration would be Stephen King, Donna Tartt, and Alice Hoffman. I’ve always loved suspense novels, especially as a teen. So many YA suspense novelists like Lois Duncan, Christopher Pike and V.C. Andrews inspired my writing.

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INN: Any advice for teen writers?

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MKH: Three tips: First, if you want to be a writer, stop talking about it and just do it. The more you talk about it, the less writing you actually get done. Believe me, I know from first-hand experience!I’ve heard people say again and again that they don’t have the time to write. NOBODY has the time to write (unless you’re James Patterson or JK Rowling). You have to be like Nike and JUST DO IT!

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Second tip—an important one—develop a thick skin and expect rejection—it happens a lot in the publishing industry. The third, and you’d think this is strange, but READ. I’ve been to so many houses of people who want to write or be an author and there isn’t a book to be found. If you want to be a writer, you have to read endlessly, in different genres, in different time periods. If you’re not writing, you should be reading.

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Thank you, Megan!

Visit Megan's websites at www.sistersofmisery.com and www.megankelleyhall.com, and buy Sisters of Misery at http://www.amazon.com/Sisters-Misery-Megan-Kelley-Hall/dp/0758226799.

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As I write this, the Phillies have just won the World Series and our beloved city of Philadelphia is going bananas. I'm going pretty bananas myself because my *#$%ing mousetrap car has just travelled the 3m required for an Acceptable Grade and it appears I will enter postsecondary education. It is a Wonderful Wednesday.

On Hiatus (Except for Megan Kelley Hall)

I'm going to have to put Innovative on hold for a week while the marking period ends. Teachers have created new definitions for the phrase, "cruel and unusual punishment," and I do have to go to college. However, Megan Kelley Hall will be joining us on Wednesday to talk about her fab debut, Sisters of Misery.

The Thing About Contests

I don't enter contests much, unless they're scholarship-based. There are many different opinions about contests- they're fab, they're fly, they're flat- but I stay away from them for a couple reasons.
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There's likely to be an entry fee, and I'm in a perpetual state of being broke. Unless I've published something. Contests also have specific guidelines (stories about mad cats celebrating Kwaanza) and I find it hard to go that specific (mad cat celebrations in general are OK.) Contests have concrete deadlines and that's a good thing, but in the long run, contests are harder to put on query bios. I prefer straight-out working with an editor.
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What do you think?

NEXT WEEK: Megan Kelley Hall will be joining us for Wednesday Wonderfulness to talk about her spooky-and-acclaimed debut, Sisters of Misery

I Wanna Write a Teen Life Novel

Which begs the question because I'm writing a book about high school academia.
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But still.
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The guy who read Crime and Punishment at age 7. The girl with the awesome blonde streak in her dark Asian hair. The friend who's already been accepted to college and lords it over us all, charitably. The debate team captain who's quiet and brilliant. The SCA president straight out of Mark Twain. The newspaper editor in love with her boyfriend.
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These people make up the mosaic of my Monday-Friday life, and sometimes weekends, when writing allows. They get cranky and fussy and mean and lovely, all the time, without reason. They are the ones that I want to write about, to explain the mystery of teenness to the outside world. Their dramas and stories, and whining and laughing are what feeds writers. They make my day. They will make my book.

Bookshelf: Hello to Kent Healy!

Kent Healy wrote his first book, "Cool Stuff" They Don't Teach You In School, when he was 17. He's now the author of the "Cool Stuff" Coaching Course, The One Minute Student and co-author with Jack Canfield of The Success Principles for Teens. He's appeared on TV and radio shows more than 100 times, writes columns for several newspapers, and was the youngest contestant on The Messengers, a search for America's next great inspirational speaker.

INN: What prompted The Success Principles for Teens?
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KH: It all began over six years ago when I was 17 years old. While my brother and I were writing our first book, “Cool Stuff” They Should Teach in School, we were faced with some “doubtful opposition” (to be politically correct). Many of our friends didn’t believe we could actually write a book and many adults thought it was a “nice idea” that would never come into fruition. Part of us began to believe some of the feedback. After all, neither one of us had a strong writing background. We didn’t have any connections in the publishing industry and our business experience was minimal.
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Fortunately, we met somebody whose opinion put a new gust of inspiration in our sails. Six months earlier I had set a goal to meet Jack Canfield. Miraculously, a family friend mentioned he had two tickets to an entrepreneur’s conference in which Jack Canfield would be the key note speaker. It was a combination of déjà-vu and astonishment. To say the least, we were excited.
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After waiting in line for twenty minutes, we finally had our chance to speak with Jack. Upon sharing our “Cool Stuff” book idea with him, he was extremely supportive and helpful. Of course, we then had a newfound motivation to see the project through. Jack and I spoke a on a few different occasions over the next few years and slowly, he became a mentor and coach for me.
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When the original Success Principles was released, Jack sent me a signed copy. I read it and not surprisingly, I was inspired. I just knew that this information needed to be packaged for my generation as well. After speaking with Jack about it, he asked me to co-author The Success Principles for Teens with him.
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The information was important and powerful and I was thrilled to begin writing The Success Principles for Teens which took over two years to complete. I also couldn’t help but take the lead on personally managing the design process of the cover and the interior (I know how important those parts are). Now that the book is written and distributed through bookstores I can honestly say (with a sigh of relief and contentment) that I am very pleased with the way it’s turned out.

INN: In your opinion, what principle do you think is most important?
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KH: Well, all 20 principles are designed to work together. Jack and I were very careful when we chose these top 20 principles from the original 64. But the one principle that comes to mind immediately for me is the very first chapter titled, Take 100% Responsibility for Your Life—and it is first for a good reason.
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In order to make any positive changes in our lives we must take full responsibility for the results we are currently getting. We must give up all of our complaining and blaming if we want experience the level of success we deserve. Like we always say, the only way to a better life is a better you. And the only way to a better involves taking 100% responsibility for our actions.
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Although it’s a very simple concept, this can be a difficult lesson to learn. That’s why Jack and I have dedicated an entire chapter to address this topic.
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There are of course other topics in the book that are perhaps a little more interesting and unique, but this principle is the foundation that allows all other success principles to work. If you don’t FULLY understand this concept inside and out, then you won’t have the quality of life you deserve. It’s that simple.

INN: What's the craziest thing that has happened to you since getting published?

KH: So many things have happened in the past few years its hard to chose just one. However, one area that has changed my life completely is how I have befriended an entirely different peer group—people who are young, driven, and very successful. I love being around other young people who are optimistic, talented, and motivated—and those are the people I have been able to meet as a result of writing books and starting a company. It’s just proof that following your passion attracts more like-minded people into your life.

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I’ve also been invited on TV shows, radio shows, exclusive events, and yes, even private yachts! To think how my life has changed in the last 5 years is difficult to fathom.

INN: What was it like working with Jack Canfield?
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KH: I always love working with people who are creative, hard-working, and those who walk-their-talk. It’s difficult not to like Jack! He is charismatic, wise, and he genuinely cares about others. He also happens to be one of the busiest people I know, so as a result, much of the time I was taking the lead on the project. But like any good coach, Jack challenged me to think—and I really liked the challenge of expanding my knowledge and awareness about behavioral science and success psychology. We also just enjoy each other’s company and share a common goal, which is energizing in itself!

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INN: Any advice for teen writers?
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KH: Yes, be persistent, creative, and proactive. Those traits have enabled me to write five books, become a columnist, and enjoy many other successes in life. Here’s how it works:
Be Persistent: Jack and I both agree that persistence is probably the single most common quality of high achievers (not natural ability like we’re often lead to believe). It’s really a simple concept: The longer you hang in there, the greater the chance that something will happen in your favor. Since we cannot expect success to come overnight we must be prepared to persevere through challenges, fear, doubt and discomfort. Like Norman Vincent Peale says, “It’s always too soon to quit.”
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Be creative: In school we are sometimes trained to believe that there is only one answer to a problem. In reality, this is not always true. Sometimes we must challenge ourselves to try to look at life from a completely different perspective.
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Sometimes thinking different makes all the difference. Since questions direct our thinking and our focus, we can begin to change our outlook by changing the questions we ask ourselves. I’ve made a habit of asking myself two primary questions, “Is there a better way to do this?” and “What’s unique about this that I haven’t noticed yet?” These questions can help you recognize a new way to promote your writing, approach a mentor, and achieve your goals. Don’t get sucked into the train of thought that says, “This is the only way it can be done because this is only way it has been done.” That mentality will instantly limit your creativity and potential.
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Think outside the box, question everything, and develop a deep sense of curiosity. Long ago, the Greek philosopher Socrates said it best, “Wisdom begins with wonder.” Curiosity urges us to explore the unknown, step out of our comfort zone, and tap into the magnificent power of passion.
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Be Proactive: It’s possible that someone in the right position will “discover” you and offer you your dream job, but it is not likely. Gabrielle, you are a perfect example of a writer “putting herself out there.” You saw an opportunity to use the internet to hone your craft and market yourself as a professional writer. That is being proactive!
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Never be afraid to ask for help and support. The power of Asking is one of the Success Principles in our book—and I think it is one of the most powerful. When I was writing my first book, I was constantly asking everyone I met, “Who do you know in the publishing industry?” and “What do you know now that you wish you knew when you were my age?” Eventually, the right connections and advice began to shape my writing career.
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I even sold my book door-to-door when it came out to make sure as many people as possible knew about it. One of my favorite quotes is: Some people want it to happen. Some people wish it would happen. Successful people make it happen! Bottom line: Success requires action and that means being creative and persistent. It’s all related. Much success to all of you writers!

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Thank you so much, Kent!

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You can visit his awesome websites at http://www.coolstuffmedia.com/ and http://www.kenthealy.com/.

The Art of Amendable Deadlines

I wanted to have a big query done tomorrow, but it will not happen.
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I wanted to finish my novel's 2nd draft by 8am on Wednesday, but it was 9:30.
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If you're super goal-oriented, channel this into your writing. Read Time to Write and get those WAP plans started. But, my dear little perfectionists, you will get published a total of three times (give or take .2) if you don't learn the art of amendable deadlines. What? Amendability? Is that even a word?
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Artistic Principle #1: Know the difference between amendability and procrastination. If you keep putting something off, it will not get done. However, if your original deadline was earlier than a contest deadline, you still have a little time.
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Artistic Principle #2: Work around your life. If you know that you have 5 tests this Monday, don't count on finishing three chapters of your novel. Homecoming, SATs, volunteering, massive parties: these are fabulous things that must be worked into our writing schedule.
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Artistic Principle #3: Amend by little amounts. I can't finish that Big Query Friday, but I can have a good chunk of it done tomorrow. I can have a complete draft by Monday, and send it off by Wednesday. Later than I'd hoped? Yes, but still submitted.
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And you will never get published if you don't submit, remember? Speaking of deadlines, Kent Healy's coming by tomorrow... yes, he is the co-author of my favorite 2008 nonfiction release, The Success Principles for Teens, along with a bunch of other books. Yes, he worked with Jack Canfield. Yes, he pretty much blows the mind and is very nice to interview. Look out for him tomorrow.

Bombs of the Alphabetical Variety

I'm trashing any normal schedule for this week as PSATs have screwed up school and even though I'm exempt (seniors!) they're bugging me.

Bad Language

*%$$ is how it normally appears in cartoons. In one horrible 80s mystery, the girl's mother said h--- all the time. No, really. H---. With dashes.

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For the responsible teenager (and many of us are that), the whole writing-bad-language-in-your-fiction can be a bit of a dilemma. Adults have an even bigger problem with it. I was at one writers' group meeting when the mom-aged writers were complaining about the crudeness of YA fiction and how shocked they were to see the f-bomb in a novel for teens. I didn't say anything but I was thinking You are shocked because...?

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Look. I don't condone cursing; it's a bad habit that I and my friends pick up (and try to control) because of culture, because we're pissed off, because we're immature, for whatever reason. But for me, swear words in literature and swear words in real life are different.

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You are a writer. Writers imagine worlds and write their stories true to that world. The most mild-mannered British grandmother will unleash the coarsest of words, if she's writing about the Boston drug world, because that is what her characters will do. Do your characters make mistakes? (I hope they do, or your book will be really boring; see Elsie Dinsmore) Are there murderers in your books? Are there villains? Sure. Does that make you a villain? No. Though you might be.

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I try to talk clean. My book opens with a beep-out word. How is this? I'm writing about the overachieving American high school crowd, the same group of people I see five days a week. And part of writing about them is being true to the way they speak, and they speak badly. If I had all my characters say Goshdarnit! every time they got stabbed in the back, this would be an unrealistic and boring book.

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Banned Book Week (last week!) celebrates the fact that fiction often expresses an ugly side of life, scenarios or characters or words that are not age-appropriate and will never be age-appropriate, yet life is many times inappropriate. If you want to clean up the world, clean it: but let the writers-- and yourself-- depict the world as they hear it.

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Goshdarnit, we are totally off track.